The Greatest Show On Screens

For more than 20 years, Stimulated-Inc. has used media to transform shows, events, venues, and experiences across the world’s most demanding live environments.

No tent. No pyrotechnics. No problem.

When the world’s largest cruise line wanted a full-blown circus, they couldn’t raise a tent on a ship—or use pyrotechnics, dancing horses, or a giant clown emerging from the shadows. We had to design and build all of that within the video screen. The video screen became another character performing in the show. Exactly what it needed to be.


 

Hyper-Experiential Media

Built to Perform

This is where entertainment stops feeling like a collection of parts and starts performing as one coordinated experience. Media, performance, lighting, choreography, sound, and environment are designed to operate together—so the experience isn’t just watched. It’s felt. And it holds up under real-world conditions.

 


 

Erasing The Line

Between Fantasy and Reality

The experience feels immersive, not because it overwhelms, but because it’s precise. Fantasy and reality blur. Audiences stop distinguishing what’s virtual from what’s physical—and stop caring. They just know they’re inside something they feel.


 

Proven Before It Was a Category

First Interactive TV Performance

2012

Before “interactive” became a buzzword, Robb Wagner and Stimulated-Inc. were already delivering it live. When Macy’s and ABC’s Dancing With the Stars set out to honor the All-Stars of Dance, Paula Abdul partnered with Robb to create television’s first truly interactive live performance — built on real-time choreography and a production method designed to hold up under live broadcast pressure.


 


From Disney to The King of Pop

For more than two decades, Robb Wagner and Stimulated-Inc. have shaped how audiences experience media on screen and on stage — creating media-driven experiential entertainment for Disney, Michael Jackson, global concert tours, broadcasts, and the world’s leading entertainment and hospitality brands. This work didn’t start with technology trends. It started with a belief: Screens should perform. That belief became a method. That method became a body of work. That body of work became The Greatest Show On Screens™.

 

This is the work

See how it’s made

Go Hyper-Hybrid