Using content, there is virtually no limit to what your shopping center’s entertainment experience could become.

A Virtual Night Club

An Immersive Halloween Experience

A Pop Culture Hangout

“Humanity” The Immersive Experience

A Stimulated-Inc. Original

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Case study: content instead of a circus tent

A virtual circus tent rises on a 100-foot x 30-foot, high-resolution LED screen (2023). Watch the short video.


For 18 years, Stimulated-Inc. has helped the world’s biggest brands hyper-transform their experience, often using content in radical new ways.

Our A-list entertainment industry relationships give us access to IP that we can develop and produce into an exciting new entertainment experience with you. Or, we can develop and produce original content-driven entertainment experiences with you.

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Find out what could your shopping center’s entertainment experience could become.

Stimulated-Inc. founder, Robb Wagner

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Robb Wagner has spent his career helping to hyper-transform experiences for such globally recognized brands as Disney, Viacom, Carnival Cruise Line and YouTube. At the core of his success is a radical approach to work and passion for disruption.

As CEO of Stimulated-Inc. – the creative studio he founded in 2005 – Wagner spearheads high-level creative solutions that he translates across industries. From television and film to streamed video, concerts and other live performances, he has been able to borrow principles from one sector and apply them to the next, tapping an often-counterintuitive approach and core mindset shifts as part of the process.

Wagner, for example, prefers to start projects with the outcome, reverse-engineering the work to accomplish his goals. Developing his own creative methodology and workflow solutions in 2012, Wagner future-proofed his company while giving his team a seamless way to scale content production for seven-figure projects.

As a result, his creative breakthroughs have raised the bar on big and small screens, with each successful brand experience benefitting from the last. A few such large-scale examples include developing content for 50 video screens at the MTV Video Music Awards, producing larger-than-life 3D visuals for Michael Jackson’s This Is It concert tour and film, and creating digital content in front of a live audience at the first-ever YouTube Music Awards, alongside Spike Jonze.

Wagner, a member of the Directors Guild of America, lives in the surfside town of Hermosa Beach, California.


Why shopping centers need to take a counterintuitive approach to experiential transformation

By Robb Wagner

As shopping center developers, operators and marketers try to figure out their experiential futures, part of the conversation will inevitably be about technology. And what the industry’s movers and shakers need to keep in mind as they chart their courses is that when it comes to creating popular consumer experiences, you can’t always start with technology. Instead, borrow a cue from business thought leader Simon Sinek and “Start with why.”

Technology without the “why” can be costly — a lesson even the world’s most recognized brands are learning every day.

Take social media giant Facebook (now known as Meta), which purchased virtual reality company Oculus for $2 billion in 2014 and has since thrown its bottomless marketing resources and money behind it while failing to create mass consumer interest to date.

Or consider the heavily funded augmented reality startup, Magic Leap. Like Facebook’s Oculus, it is another technology with incredible potential and significant financial investment that has struggled to find its purpose after more than seven years of trying.

Billions of dollars have been invested in these technologies with little measurable ROI to date.

Why is this important for shopping centers? Because I believe they are entering a period of experiential transformation that will shape their next 10 years. And as shopping centers look to increase engagement, visits and dwell time, technology-first companies will line up to sell them solutions with the promise of drawing big crowds.

But, without knowing the “why,” these solutions won’t actually work that easily, and shopping centers simply can’t afford to follow such an approach because they don’t have infinite marketing budgets or seven years to waste. What they can do is solve for “why” using a bit of counterintuitive thinking and a backwards, yet proven approach that looks like this:

  1. Start with the outcome you want to create.
  2. Develop radical creative ideas to help achieve it.
  3. Identify the technologies you need.
  4. Create emotional content.
  5. Deliver the experience.

It’s an approach I first used in 2004 while helping MTV transform broadcasts like the Video Music Awards. My job was to work with the network, production and the musical artists to develop and deliver content to more than 50 larger-than-life video screens in a 360-degree arena. I didn’t focus on how we were going to do it. I focused on the outcome we wanted to create.

Many of my broadcast peers saw LED screens as a place for eye candy and pushed to start with technologies that delivered canned footage to the screens. The word “gak” was widely used behind the scenes in broadcast as a term for screen content, which I detested.

While they did that, I imagined using LED screens for narrative storytelling and emotional connection. I envisioned musical performances being more powerful, memorable and emotional for the audience — and more valuable to the artists, MTV and its advertisers.

What would create more of an emotional connection with music fans? Animated clip-art and stock footage gak (cringe!) in the video screens or mind-blowing, three-story-high versions of their musical heroes in an experience the fans felt immersed in?

To push my radical vision onto a resistant industry, I had to be a disruptor. I ultimately built a career developing radical creative ideas, content and technologies that stirred audience emotions and generated revenue. This approach has helped companies in nearly every major entertainment industry create success over the past 16 years, including broadcast, concerts, film, streaming and cruise lines. People in each of these industries were successful because they were willing to rethink the way they approached content and technology to create emotionally powerful customer experiences.

As shopping centers try to figure out how to hyper-transform their experiential futures, the people that develop, operate and market them will need to learn and master this backwards approach. They will need to remind themselves that the experience is the innovation. It is the catalyst for emotional connection and business success.

Steve Jobs said it best: “You’ve got to start with the customer experience and work backwards to the technology.”

—Robb Wagner is an experiential artist and the founder of Stimulated-Inc., a creative studio specializing in experiential transformation for such globally recognized brands as Disney, Viacom and Carnival Cruise Line, among others.

Republished from Shopping Center Business